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by Gillian Smith-Clark for The 44 North

Editor-in-Chief


Canadian Border Inspection sign on a fence
Canadian Border Inspection sign on a fence
"Young Canadians, in particular, are acutely aware of this permeability. Many consume U.S. news in real time, encounter the same viral footage, and experience the same unease when democratic norms appear fragile. The fear is not that Canada is identical to the United States, but that no democracy is immune to erosion—especially when power begins to justify itself rather than explain itself.​​

“Yet our greatest threat isn’t the outsiders among us,

but those among us who never look within.

Fear not those without papers,

but those without conscience.”

“For Alex Jeffrey Pretti, Murdered by I.C.E., January 24, 2026”


In the wake of at least 32 people dying in the custody of Immigration and Customs Enforcement (ICE) in 2025, came the deadly killings of two civilians—Renée Nicole Good and Alex Pretti—in early 2026. The Orwellian echoes in the Trump administration’s response to both deaths reverberated far beyond the borders of the United States.


In Canada, and elsewhere, the reaction has been a mixture of rage, grief, disbelief, and deep unease. Not only because lives were lost, but because of how they were lost—and which lives were publicly named, mourned, or quietly omitted. Conflicting official accounts, disputed video evidence, victim-blaming, and the rapid hardening of narratives left little room for accountability, introspection, or restraint.


What has also gone largely unexamined is who has been missing from much of the coverage. Keith Porter, a Black man, and Silverio Villegas Gonzalez, a Mexican immigrant, were also killed in the context of immigration enforcement—yet their names have been far less widely reported. Whether through indifference or intention, this silence compounds the violence itself. It suggests that some deaths demand explanation, while others are simply absorbed into the background noise of enforcement.


What makes these events so unsettling is not simply that violence occurred; it is what they suggest about a broader shift in how state power is exercised and justified. When lethal force is deployed against civilians in the name of law enforcement, and transparency and accountability lag behind, trust erodes quickly—not only within the communities directly affected, but across borders. Minneapolis, in this sense, is not an isolated flashpoint. It is a critical juncture.


Over the past several years, immigration enforcement in the United States has become increasingly militarized, with expanded authority, aggressive tactics, and limited public oversight. Federal agencies tasked with civil enforcement now operate with levels of force once reserved for national security operations. At the same time, rapid expansion and accelerated hiring have raised troubling questions about training, qualifications, and oversight. These shifts have unfolded gradually, often justified as necessary responses to crisis or disorder. But their cumulative effect is profound: the normalization of state violence in spaces where civilians expect protection, not confrontation.


For Canadians watching closely, this raises uncomfortable questions. Canada often defines itself in contrast to the United States — as more restrained, more human-rights-focused, more humane in its approach to immigration and policing. And in many respects, those distinctions matter. But proximity matters too. The two countries share deeply intertwined roots: colonialism, families, economies, media ecosystems, and political currents. What happens in the U.S. does not stay there—not culturally, not economically, and not psychologically.


Young Canadians, in particular, are acutely aware of this permeability. Many consume U.S. news in real time, encounter the same viral footage, and experience the same unease when democratic norms appear fragile. The fear is not that Canada is identical to the United States, but that no democracy is immune to erosion—especially when power begins to justify itself rather than explain itself.


This broader sense of rupture was articulated by Mark Carney in his recent address at the World Economic Forum. Speaking to an audience grappling with global instability, Carney argued that the assumptions underpinning the postwar international order—shared rules, dependable allies, and a baseline commitment to human rights—can no longer be taken for granted. The world, he suggested, has entered a period in which power is more frequently asserted than constrained.


In that context, Carney called on so-called “middle power” countries like Canada to rethink their posture—not by retreating into isolation, and not by clinging uncritically to old alignments, but by building strategic autonomy: the capacity to act independently in defence of national interests while remaining anchored to core values such as human rights, sovereignty, and the rule of law. He acknowledged the understandable impulse toward protectionism, but cautioned:


“A world of fortresses will be poorer, more fragile, and less sustainable. And there is another truth: if great powers abandon even the pretense of rules and values for the unhindered pursuit of their power and interests, the gains from transnationalism will become harder to replicate.”


Strategic autonomy is often misunderstood as a turn inward. In reality, it is about resilience and choice. It means diversifying partnerships so that no single relationship becomes a point of vulnerability. It means ensuring that economic security and diplomatic decisions reflect democratic values rather than sheer necessity. And it means strengthening institutions at home so that rights are not contingent on political mood or external pressure.


The relevance of this framework becomes clearer when viewed alongside events like those in Minneapolis. When even close allies act unpredictably—or in ways that challenge shared norms—alignment alone is no longer sufficient. Despite the claims of a vocal minority, values cannot be outsourced, nor can accountability be assumed. Strategic autonomy, seen in this light, is not about distancing Canada from the world, but about ensuring that engagement does not come at the cost of founding principles.


Why This Matters Now

Borders don’t stop instability.

Events in the U.S.—especially those involving state violence and civil liberties—reverberate outward and cross borders. For Canadians, geographic and cultural proximity means exposure, whether we welcome it or not.


Values require action.

Human rights and accountability depend on both institutions and individuals willing to defend them, particularly when norms begin to erode elsewhere.


Strategic autonomy is about protection, not isolation.

It is the ability to act with clarity and independence in a world where power is increasingly transactional.


Young people are inheriting this landscape.

The generation coming of age now faces overlapping crises—democratic backsliding, climate instability, and rising state coercion. Understanding how power operates is no longer abstract. It is urgent and personal.

 

Final Thoughts

What is unfolding in Minneapolis is not simply an American story, nor is it one Canadians can afford to watch with detached concern. It is a reminder that rights often erode quietly before they disappear loudly—and that proximity to power does not guarantee protection from its excesses.


It is also a moment to think seriously about what both our shared and individual values actually are. A starting point may be the United Nations Universal Declaration of Human Rights, which reminds us that “the recognition of the inherent dignity and of the equal and inalienable rights of all members of the human family is the foundation of freedom, justice and peace in the world.”


Canada’s task in this moment is neither complacency nor moral superiority, but clarity: recognizing that human rights, accountability, and dignity must be actively defended, even when doing so is uncomfortable or costly.


Strategic autonomy, as Carney argued, is ultimately about responsibility—the responsibility to choose principle over convenience, to resist the normalization of violence, and to insist that power remains answerable to the people it claims to serve.


That work is unfinished. It must not be abdicated. And it belongs, in different ways, to all of us.

We can all insist on naming what institutions often erase—the people who disappear not only from life, but from memory:


“Somewhere, in the pitched deep of our grief,

crouches our power, the howl where we begin,

straining upon the edge of the crooked crater

of the worst of what we’ve been.”

“For Renée Nicole Good,”

killed by I.C.E., January 7, 2026



by Mikaela Brewer ​for The 44 North

Senior Editor


White chalk letters on orange tile. They read: “#LeaveNoOneBehind”
White chalk letters on orange tile. They read: “#LeaveNoOneBehind”

Please note: this short story discusses targeted violence and death. It may activate folks with similar lived experiences, beyond what feels safe to spend time with. Please engage with this story how/whenever it feels safe for you.


For a preface to what’s been transpiring in the U.S., please read this article by Gillian Smith-Clark, our Editor-in-Chief. 


***


“I’ll say it again and again: trauma is not what happens to us, it is the space between us.”


They say that in the last seven minutes of brain activity, approaching death, a person re-experiences their whole life. Others say it’s just surges of memory and awareness. Me? I’m a writer. At least half of my life happens in my head with characters I’ve never met. But they’re the residue of not only people I’ve known, but people I’ve passed in life—on streets, at schools, in restaurants. Mothers, poets, fathers, cooks. So I say, why not?


In some way, I know Renée Nicole Good, Keith Porter, and Silverio Villegas Gonzalez, because so many others did. Because ‘I’ is such a falsity, sometimes. It’s lonely before it grows branches into the ‘T’ of ‘Tree’ or ‘Together’ or ‘Truth.’


We breathe in what trees breathe out. And we walk and run. We’ve breathed in one another.


With that breath, I imagine Silverio’s seven minutes. Even in his focused severity, he relives the moment he dropped his two children off at day care and school. At each place, he does the same thing: moves their dark hair from their foreheads with a warm palm, and places a kiss. I picture him first learning to cook, maybe from a family member. Perhaps he remembers the scented smoke in a kitchen with windows overlooking beautiful Michoacán on the Pacific Ocean. I see his fingerprints across kitchen utensils in a restaurant near Franklin Park. His careful, responsible hands make art for eleven hours, and then, in the sixth minute, reach back to his children. 


And after seven minutes, the world is without another father.



“I know how to build a survival shelter / from fallen tree branches, packed mud, / and pulled moss. I could survive forever / on death alone. Wasn’t it death that taught me / to stop measuring my lifespan by length, / but by width?”


Width. I imagine the width of Keith’s heart beat, soul, and smile. He relives meeting his best friend, Adrian, in 1996 as a teenager. He hears his nickname echoing, “Pooter!” He sees the laughter and life his jokes brought to parties, the students he supported, and the teens he helped Adrian foster parent when he was only in his twenties. Two beautiful girls’ faces sparkle for him here, as they always have. There are Dodgers games and rich conversations with God and family. In the sixth minute, his spirit never broke—love kept repairing any cracks.


And after seven minutes, the world is without another father.


“The role of us poets is to witness the world,” writes Danez Smith in “An Elegy for My Neighbor, Renee Nicole Good.” But it’s the role of everyone.


I see Renée crafting her award-winning poem, “On Learning to Dissect Fetal Pigs,” which won the Academy of American Poets Prize in 2020. She relives the sparks of that better life in Minneapolis—maybe a drive from Kansas City with her wife, Becca, and her youngest son. The wind is warm and made of dreams. I see her feeling the joy, vibrancy, and safety of new friends and community—felt because she helped make it real. I imagine she ventures through moments with Timmy before his death, her second husband’s love. And her three children’s lives, like the once disparate strands now a fierce braid, tether together the expanse of her life. She revisits the moment, perhaps on a soft couch after school, where she and Becca taught their kids to “believe that no matter where you come from or what you look like, all of us deserve compassion and kindness.” In the sixth minute, she’s smiling. The sunshine she radiated is returned to her, and she feels its glow: every moment she stood up for others. 


And after seven minutes, the world is without another mother.


Minneapolis, LA, and Chicago keep fighting amid the plummeting temperatures—the coldest we’ve seen in a long time. They will not be frozen. Together, they’re warmest. And we must keep the fire burning against what freezes; against the threat of ice build-up on bodies, hearts, and minds. 


Laura Gilpin’s The Two-headed Calf” reads:
















And then, years later, Matthew Dawkins writes, “Even two-headed, the calf is mourned.” 


Who is called two-headed? And targeted as such?


Maybe the two-headed are the people most balanced by two heads. That is to say, those who hold much more than themselves.


And what a beautiful thing this is. ICE may have killed one head. But beneath twice as many stars to navigate with, there’s another. And it’s always been us—each other, right now. 


***


Resources

by Mikaela Brewer ​for The 44 North

Senior Editor


“Rosa Parks” by Nikki Giovanni from Quilting the Black-Eyed Pea. Copyright © 2002 by Nikki Giovanni. Reprinted in Poetry by permission of Harper Collins Publishers Inc.


A white sign with black capital letters, held up at a protest.
A white sign with black capital letters, held up at a protest.

Note: This poem is not in the public domain! Please use the link above to read it.


In 1971, Nikki Giovanni spoke with James Baldwin at length in A Dialogue (also released as a book). When I first read it, not long after she passed away in December 2024, the texture and resonance of her voice felt like double-sided sticky tape. It hasn’t left me, and sticks to what I read now. Her conviction is unparalleled not only in its power but in its grace; grace as in its dexterity of love. And for that reason alone, I struggled to choose just one poem for this essay. Nikki still calls us with wit, fervour, and care. 


“Rosa Parks” stands out in its dense, uniform block of text. It conforms, you might say, to the shape of a column in a newspaper, complete with narrative flow. But it certainly doesn’t conform in its content, which isn’t beneath complex diction or syntax, but under the literal act of reading the poem. So few of us read poems by Black women. It’s a great month to start. They’ve been writing the truth—of love and violence—for centuries, under persecution and censorship, sowing wisdom the way enslaved Black women, aboard ships crossing the Atlantic, hid seeds in their hair.


Nikki’s poem is also the shape of an elegy, ode, or brick—to be thrown or built with. It’s the shape of heaviness. The ghosts of Thurgood Marshall, Gwendolyn Brooks, Emmett Till, and the Pullman Porters are with us. And they remain alive, in part because women like Rosa Parks (and Claudette Colvin, Viola White, Pauli Murray, and Elizabeth Jennings Graham) sat back down on a bus, and kept what was always theirs. It wasn’t her feet that were tired when Rosa, the field secretary of the NAACP, reclaimed that seat—on the bus and elsewhere. It was hers, and everyone’s before her. Nikki’s poem reminds us of a few things: Rest is a human right, and yes, Black women are strong in innumerable ways, one of which is when they choose rest as resistance.  


“Rosa Parks” further connects modes of transportation through time, non-linearly, resisting the linear flow of news that frequently refuses the past’s life in the present. “And this is / for all the people who said Never Again” remains a call to action. It feels eerily applicable, and even at the time the poem was written (2002), could be a reference to wars on Palestine and Afghanistan, still raging today.


And in our role, as readers and distributors of Nikki Giovanni’s poetry, we can look to the Pullman Porters she writes of. 


“The Pullman Company established its sleeper cars as a unique and luxurious way to travel, complete with the [carefully trained, typically formerly enslaved Black men], hired to be porters. Pullman Porters quickly became a staple of the Pullman Sleeping Car experience, often fighting to maintain a balance between good relations with the Pullman company and protesting for better conditions and wages. Pullman Porters are often attributed to helping create a [B]lack middle class in the United States, with their employees forming the first all-[B]lack union, The Brotherhood of Sleeping Car Porters, in 1925.”



The Pullman Porters were the keepers of care and right to protest for their Black passengers. With this in mind, I admire the beckoning of a new manifesto, of sorts, with capitalization of ‘No’ in Nikki’s poem:


“No longer would / there be a reliance on the law; there was a higher law. When Mrs. / Parks brought that light of hers to expose the evil of the system, / the sun came and rested on her shoulders bringing the heat and / the light of truth. Others would follow Mrs. Parks. Four young / men in Greensboro, North Carolina, would also say No.”


“Rosa Parks” is an example of poetry as resistance, and therefore, as a commitment to storytelling in ongoing violence and its ever-unfolding aftermath. It’s a vow to truth-telling. And with that, because no one will ever say it better:


“But it was the / Pullman Porters who safely got Emmett to his granduncle and it / was Mrs. Rosa Parks who could not stand that death. And in not / being able to stand it. She sat back down.”

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