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by Gillian Smith-Clark for The 44 North

Editor-in-Chief


Canadian Border Inspection sign on a fence
Canadian Border Inspection sign on a fence
"Young Canadians, in particular, are acutely aware of this permeability. Many consume U.S. news in real time, encounter the same viral footage, and experience the same unease when democratic norms appear fragile. The fear is not that Canada is identical to the United States, but that no democracy is immune to erosion—especially when power begins to justify itself rather than explain itself.​​

“Yet our greatest threat isn’t the outsiders among us,

but those among us who never look within.

Fear not those without papers,

but those without conscience.”

“For Alex Jeffrey Pretti, Murdered by I.C.E., January 24, 2026”


In the wake of at least 32 people dying in the custody of Immigration and Customs Enforcement (ICE) in 2025, came the deadly killings of two civilians—Renée Nicole Good and Alex Pretti—in early 2026. The Orwellian echoes in the Trump administration’s response to both deaths reverberated far beyond the borders of the United States.


In Canada, and elsewhere, the reaction has been a mixture of rage, grief, disbelief, and deep unease. Not only because lives were lost, but because of how they were lost—and which lives were publicly named, mourned, or quietly omitted. Conflicting official accounts, disputed video evidence, victim-blaming, and the rapid hardening of narratives left little room for accountability, introspection, or restraint.


What has also gone largely unexamined is who has been missing from much of the coverage. Keith Porter, a Black man, and Silverio Villegas Gonzalez, a Mexican immigrant, were also killed in the context of immigration enforcement—yet their names have been far less widely reported. Whether through indifference or intention, this silence compounds the violence itself. It suggests that some deaths demand explanation, while others are simply absorbed into the background noise of enforcement.


What makes these events so unsettling is not simply that violence occurred; it is what they suggest about a broader shift in how state power is exercised and justified. When lethal force is deployed against civilians in the name of law enforcement, and transparency and accountability lag behind, trust erodes quickly—not only within the communities directly affected, but across borders. Minneapolis, in this sense, is not an isolated flashpoint. It is a critical juncture.


Over the past several years, immigration enforcement in the United States has become increasingly militarized, with expanded authority, aggressive tactics, and limited public oversight. Federal agencies tasked with civil enforcement now operate with levels of force once reserved for national security operations. At the same time, rapid expansion and accelerated hiring have raised troubling questions about training, qualifications, and oversight. These shifts have unfolded gradually, often justified as necessary responses to crisis or disorder. But their cumulative effect is profound: the normalization of state violence in spaces where civilians expect protection, not confrontation.


For Canadians watching closely, this raises uncomfortable questions. Canada often defines itself in contrast to the United States — as more restrained, more human-rights-focused, more humane in its approach to immigration and policing. And in many respects, those distinctions matter. But proximity matters too. The two countries share deeply intertwined roots: colonialism, families, economies, media ecosystems, and political currents. What happens in the U.S. does not stay there—not culturally, not economically, and not psychologically.


Young Canadians, in particular, are acutely aware of this permeability. Many consume U.S. news in real time, encounter the same viral footage, and experience the same unease when democratic norms appear fragile. The fear is not that Canada is identical to the United States, but that no democracy is immune to erosion—especially when power begins to justify itself rather than explain itself.


This broader sense of rupture was articulated by Mark Carney in his recent address at the World Economic Forum. Speaking to an audience grappling with global instability, Carney argued that the assumptions underpinning the postwar international order—shared rules, dependable allies, and a baseline commitment to human rights—can no longer be taken for granted. The world, he suggested, has entered a period in which power is more frequently asserted than constrained.


In that context, Carney called on so-called “middle power” countries like Canada to rethink their posture—not by retreating into isolation, and not by clinging uncritically to old alignments, but by building strategic autonomy: the capacity to act independently in defence of national interests while remaining anchored to core values such as human rights, sovereignty, and the rule of law. He acknowledged the understandable impulse toward protectionism, but cautioned:


“A world of fortresses will be poorer, more fragile, and less sustainable. And there is another truth: if great powers abandon even the pretense of rules and values for the unhindered pursuit of their power and interests, the gains from transnationalism will become harder to replicate.”


Strategic autonomy is often misunderstood as a turn inward. In reality, it is about resilience and choice. It means diversifying partnerships so that no single relationship becomes a point of vulnerability. It means ensuring that economic security and diplomatic decisions reflect democratic values rather than sheer necessity. And it means strengthening institutions at home so that rights are not contingent on political mood or external pressure.


The relevance of this framework becomes clearer when viewed alongside events like those in Minneapolis. When even close allies act unpredictably—or in ways that challenge shared norms—alignment alone is no longer sufficient. Despite the claims of a vocal minority, values cannot be outsourced, nor can accountability be assumed. Strategic autonomy, seen in this light, is not about distancing Canada from the world, but about ensuring that engagement does not come at the cost of founding principles.


Why This Matters Now

Borders don’t stop instability.

Events in the U.S.—especially those involving state violence and civil liberties—reverberate outward and cross borders. For Canadians, geographic and cultural proximity means exposure, whether we welcome it or not.


Values require action.

Human rights and accountability depend on both institutions and individuals willing to defend them, particularly when norms begin to erode elsewhere.


Strategic autonomy is about protection, not isolation.

It is the ability to act with clarity and independence in a world where power is increasingly transactional.


Young people are inheriting this landscape.

The generation coming of age now faces overlapping crises—democratic backsliding, climate instability, and rising state coercion. Understanding how power operates is no longer abstract. It is urgent and personal.

 

Final Thoughts

What is unfolding in Minneapolis is not simply an American story, nor is it one Canadians can afford to watch with detached concern. It is a reminder that rights often erode quietly before they disappear loudly—and that proximity to power does not guarantee protection from its excesses.


It is also a moment to think seriously about what both our shared and individual values actually are. A starting point may be the United Nations Universal Declaration of Human Rights, which reminds us that “the recognition of the inherent dignity and of the equal and inalienable rights of all members of the human family is the foundation of freedom, justice and peace in the world.”


Canada’s task in this moment is neither complacency nor moral superiority, but clarity: recognizing that human rights, accountability, and dignity must be actively defended, even when doing so is uncomfortable or costly.


Strategic autonomy, as Carney argued, is ultimately about responsibility—the responsibility to choose principle over convenience, to resist the normalization of violence, and to insist that power remains answerable to the people it claims to serve.


That work is unfinished. It must not be abdicated. And it belongs, in different ways, to all of us.

We can all insist on naming what institutions often erase—the people who disappear not only from life, but from memory:


“Somewhere, in the pitched deep of our grief,

crouches our power, the howl where we begin,

straining upon the edge of the crooked crater

of the worst of what we’ve been.”

“For Renée Nicole Good,”

killed by I.C.E., January 7, 2026



by Gillian Smith-Clark ​for The 44 North

Editor in Chief


“Tell the Truth” stamped on pavement in white capital letters
“Tell the Truth” stamped on pavement in white capital letters

This February/March issue of The 44 North is, at its core, about visibility: who is seen, who is heard, and what happens when the truth is obscured: by power, by indifference, or by deliberate misinformation.


Across these pages, you’ll find work that grapples with Black history and resistance, the freedom to read, women’s and girls’ safety, sexual and reproductive health, homelessness, and the quiet, daily ways communities hold one another together when institutions fail them. These themes may appear distinct, but they are bound by a single throughline: access. Access to knowledge, to care, to dignity, and to platforms that refuse to look away.


That tension feels especially sharp right now. In recent weeks, more than 300 journalists were purged from The Washington Post—a decision that lays bare how vulnerable even legacy newsrooms are when journalistic missions collide with corporate ownership. The paper’s slogan, Democracy Dies in Darkness—introduced in 2017 and greeted at the time with both praise and pointed skepticism—now reads less like branding and more like an unintended indictment. What does that phrase mean when an iconic publication is hollowed out by fear and corporate priorities, and when media power increasingly determines which stories survive, and which disappear?


This issue is our response to that question.


Independent media matters not because it is perfect, but because it is accountable. Because it asks uncomfortable questions. Because it makes room for more voices—especially young and marginalized voices—that are too often dismissed, underestimated, or filtered through institutions that no longer serve them. At The 44 North, we remain committed to publishing work that is courageous, ethical, and grounded in empathy, including, and more specifically, when doing so is inconvenient.


You’ll see that commitment reflected throughout this issue. Our review of All My Puny Sorrows by Miriam Toews explores grief, agency, and the limits of language when pain resists resolution. In our Artist Spotlight, Feels Zine offers a bold and tender exploration of queer sex and romance, reminding us that intimacy itself can be an act of reclamation. Nikki Giovanni’s poem “Rosa Parks,” featured in Poet’s Corner, anchors Black history not in abstraction, but in lived courage.


Several pieces examine storytelling as both a mirror and an intervention. Our feature on libraries as vital “third spaces,” including Dear TPL: The Passport Project, highlights how access to books and community resources can quite literally expand lives. “Novel Idea: How Fiction Helps Us See Ourselves” reflects on reading as self-recognition and survival. In The Writer’s Room, “ICE Murders: Lives in Slow Motion” uses current-events-based fiction to confront state violence in ways conventional reporting often cannot.


This issue also includes my own essay, “Watching Minneapolis from Canada: When Power Stops Explaining Itself,” which wrestles with proximity, responsibility, and what it means to witness injustice across borders in an era of relentless images and insufficient accountability.

At the heart of this issue is the winning essay from our inaugural essay contest: “The Pathogen of Perception: Quantifying the Multi-Dimensional Cost of Medical Misinformation” by Jason Wang.


Wang’s essay embodies everything we hoped this contest would epitomize: thoughtful analysis, moral seriousness, originality, and something more: a refusal to treat misinformation as a harmless difference of opinion. “Misinformation is not a victimless exchange of ideas,” Wang writes, tracing how falsehoods about vaccines during the global pandemic translated into preventable deaths—often borne not by those who rejected care, but by infants, immunocompromised patients, and those who never consented to the risks imposed upon them.


What makes this essay especially powerful is its insistence that the solution is not censorship, but literacy: scientific, media, and civic. “The answer is not censorship,” Wang argues. “It is teaching people how to think critically about health information the same way we teach them to read or do algebra.”  In a moment defined by fragmentation and distrust, this is a call not for control, but for collective capacity.


What happens to a society when it loses the ability to respond to shared threats? When truth is drowned out by noise, and institutions designed to inform either retreat or collapse?


This issue is our answer: we build capacity by telling the truth carefully. By amplifying young thinkers who understand the stakes because they have lived them. By defending the freedom to read, to question, to imagine, and to care for one another beyond narrow definitions of individual choice.


If we take the Post’s motto at its word and accept that “Democracy Dies in Darkness,” it is worth remembering that darkness thrives in silence and isolation. It recedes when we insist on seeing the world as it is, clearly—and when we choose, together, to keep the lights on.


— Gillian Smith-Clark

Editor in Chief, The 44 North Media


by Mikaela Brewer ​for The 44 North

Senior Editor


White chalk letters on orange tile. They read: “#LeaveNoOneBehind”
White chalk letters on orange tile. They read: “#LeaveNoOneBehind”

Please note: this short story discusses targeted violence and death. It may activate folks with similar lived experiences, beyond what feels safe to spend time with. Please engage with this story how/whenever it feels safe for you.


For a preface to what’s been transpiring in the U.S., please read this article by Gillian Smith-Clark, our Editor-in-Chief. 


***


“I’ll say it again and again: trauma is not what happens to us, it is the space between us.”


They say that in the last seven minutes of brain activity, approaching death, a person re-experiences their whole life. Others say it’s just surges of memory and awareness. Me? I’m a writer. At least half of my life happens in my head with characters I’ve never met. But they’re the residue of not only people I’ve known, but people I’ve passed in life—on streets, at schools, in restaurants. Mothers, poets, fathers, cooks. So I say, why not?


In some way, I know Renée Nicole Good, Keith Porter, and Silverio Villegas Gonzalez, because so many others did. Because ‘I’ is such a falsity, sometimes. It’s lonely before it grows branches into the ‘T’ of ‘Tree’ or ‘Together’ or ‘Truth.’


We breathe in what trees breathe out. And we walk and run. We’ve breathed in one another.


With that breath, I imagine Silverio’s seven minutes. Even in his focused severity, he relives the moment he dropped his two children off at day care and school. At each place, he does the same thing: moves their dark hair from their foreheads with a warm palm, and places a kiss. I picture him first learning to cook, maybe from a family member. Perhaps he remembers the scented smoke in a kitchen with windows overlooking beautiful Michoacán on the Pacific Ocean. I see his fingerprints across kitchen utensils in a restaurant near Franklin Park. His careful, responsible hands make art for eleven hours, and then, in the sixth minute, reach back to his children. 


And after seven minutes, the world is without another father.



“I know how to build a survival shelter / from fallen tree branches, packed mud, / and pulled moss. I could survive forever / on death alone. Wasn’t it death that taught me / to stop measuring my lifespan by length, / but by width?”


Width. I imagine the width of Keith’s heart beat, soul, and smile. He relives meeting his best friend, Adrian, in 1996 as a teenager. He hears his nickname echoing, “Pooter!” He sees the laughter and life his jokes brought to parties, the students he supported, and the teens he helped Adrian foster parent when he was only in his twenties. Two beautiful girls’ faces sparkle for him here, as they always have. There are Dodgers games and rich conversations with God and family. In the sixth minute, his spirit never broke—love kept repairing any cracks.


And after seven minutes, the world is without another father.


“The role of us poets is to witness the world,” writes Danez Smith in “An Elegy for My Neighbor, Renee Nicole Good.” But it’s the role of everyone.


I see Renée crafting her award-winning poem, “On Learning to Dissect Fetal Pigs,” which won the Academy of American Poets Prize in 2020. She relives the sparks of that better life in Minneapolis—maybe a drive from Kansas City with her wife, Becca, and her youngest son. The wind is warm and made of dreams. I see her feeling the joy, vibrancy, and safety of new friends and community—felt because she helped make it real. I imagine she ventures through moments with Timmy before his death, her second husband’s love. And her three children’s lives, like the once disparate strands now a fierce braid, tether together the expanse of her life. She revisits the moment, perhaps on a soft couch after school, where she and Becca taught their kids to “believe that no matter where you come from or what you look like, all of us deserve compassion and kindness.” In the sixth minute, she’s smiling. The sunshine she radiated is returned to her, and she feels its glow: every moment she stood up for others. 


And after seven minutes, the world is without another mother.


Minneapolis, LA, and Chicago keep fighting amid the plummeting temperatures—the coldest we’ve seen in a long time. They will not be frozen. Together, they’re warmest. And we must keep the fire burning against what freezes; against the threat of ice build-up on bodies, hearts, and minds. 


Laura Gilpin’s The Two-headed Calf” reads:
















And then, years later, Matthew Dawkins writes, “Even two-headed, the calf is mourned.” 


Who is called two-headed? And targeted as such?


Maybe the two-headed are the people most balanced by two heads. That is to say, those who hold much more than themselves.


And what a beautiful thing this is. ICE may have killed one head. But beneath twice as many stars to navigate with, there’s another. And it’s always been us—each other, right now. 


***


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