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by Alaina Zhang ​for The 44 North, Newsletter & Reviews Editor


Students from the “International Students: First 48 Hours” documentary, filmed & produced by Cal Campos
Students from the “International Students: First 48 Hours” documentary, filmed & produced by Cal Campos
“I don’t know how airlines expect us to put 25 or 24 years of our [lives] into two suitcases and just move across the globe.” —Pahul Sond, From“International Students: First 48 Hours”

As a Canadian student studying in the U.S., seeing a documentary following the experiences of international students in Canada—a place I’ve called home for many years—brings forth an array of feelings. It makes me wonder what it would have been like to stay in Vancouver and study at the University of British Columbia, which is so close to my home. What could I have gained, and what might I have lost? 


The documentaries International Students: First 48 Hours and International Students: Life After Graduation address some of these questions. Filmed and produced by Cal Campos, a Media Producer and Inclusivity Public Speaker from Toronto, together with the University of Toronto’s Centre for International Experience as well as the Innovation Hub, the documentaries follow the journey of 12 students, 6 of whom have just arrived in Canada and 6 of whom are living different lives post-graduation, respectively. 



The international student experience is shaped by an immersion in the unknown. One scene which particularly struck me was Josefa Antonia Sepulveda Guzman, after she had spent some time in Canada, saying, “I kind of want to cry. This all means that I’m doing the right thing.” For her, studying at a foreign university is a dream come true—one that comes with the cost of not spending as much time with her mom (with whom she’s lived her entire life). Yet Guzman continues, ready to call Canada her new home, ready for its challenges and love, ready, as I believe many international students are, to be vulnerable to change. 


Like Guzman, I spent almost my entire life living with my mom, and leaving both my home and my family felt daunting. At the same time, attending college in the U.S. exposed me to my own inadequacies and insecurities. I quickly realized I didn’t know much about American pop culture and I’d never had friends who were a different race from me; the public school I attended was 90% Asian. I felt I wasn’t extroverted or sociable compared to my American peers. I intentionally practiced my small talk, built up knowledge of specific slang, and worked to find people I connected with. As a Canadian, I was aware of my luck and privilege—that the culture shock was less forceful. I was, perhaps, the “least international” an international student could be. Yet, at the same time, I found myself maturing at a rate that I’d never experienced before. I began to examine my own biases, realizing I could be friends with people who held very different backgrounds and values from me. I found myself thinking, all the time, about relationships, gender, academics, and the future in ways I’d never explored before. I was experiencing a type of ‘growing up’ that would’ve been much slower had I chosen to stay inside the comfortable bubble of my home and family. I wasn’t sad amid these changes, but proud of how much I’d grown each time I saw my family again. 


Students from the “International Students: Life After Graduation” documentary, filmed & produced by Cal Campos
Students from the “International Students: Life After Graduation” documentary, filmed & produced by Cal Campos

Sudene, another student who has decided to pursue a research analyst role at The Centre for Addiction and Mental Health (CAMH) post-graduation, captures the bittersweet sentiment beautifully: “I’ll be missing out on something. I’m going to miss a lot of family moments, but at the same time, I’m excited about the opportunities that travelling abroad offers to me.” We also get to know students like Mary-Rebekah Reyes, who returns to her home country and starts her own art business while continuing to explore the beauty of Trinidad and Tobago, carrying her study-abroad experience with her.  


As someone in their third year of undergraduate studies, I’m also thinking about what it might mean to stay in the U.S. and what it might mean to return to Canada or even China, where most of my family now lives. Being an international student might not be an experience familiar to many, but we’ve all had the experience of navigating a new place, leaving our family and friends behind, even if just for a few hours. Our current age has made travel easier, enabling many to live in different places. But it also means that part of you will always be tied to each city you’ve been to. My identity has already become a mosaic; part of me will forever remain in Wuxi, where I was born, and parts of me are scattered across Vancouver and Stanford. As life goes on, I know that I’ll leave more pieces of myself behind around the world and carry more of the world, engraved into me. 



When we think about the future, how do we choose where to go? As we transition from students to adults, and the future’s possibilities spread out before us, we’re confronted with the question of who we want to be. For international students especially, there’s often a tough decision about whether to return home, stay in a new country, or perhaps even travel to another new place. As the world becomes increasingly uncertain, we find ourselves caught between different loyalties, family ties, and even political tensions. I, for one, always try to remember what my parents told me: Choose a path that places you on higher ground, so that when you look far into the horizon, you can see futures that you couldn’t have even imagined previously. 


All of this is to say that while people around us might try to convince us that one choice is better than another, just remember that any choice is valid. I try to imagine all the different futures I could be living, and pick based on the fact that this is my one chance to live a life of my choosing.


Back in high school, as I thought about where I would attend college, I contemplated staying in Canada, studying in the U.S., or even returning to China. Each held different opportunities and sacrifices. Some would bring me closer to my family, while others led me further away. Some would challenge me socially and academically. Yet, one thing didn’t change amongst those choices. I was determined to study English no matter where I went. Now, as I think about my post-graduation plans, I can once again imagine the various futures before me. I can see myself in the office buildings of New York, watching the sun set from tall glass windows. I can see myself working in a publishing house in Vancouver, writing the next chapter of my novel. I can see myself with my family back in Wuxi, teaching English literature at a local international school. What hasn’t changed is that each option will lead me to higher ground in different ways, and that’s why, whatever my decision is, I believe that each of us can and will choose well. 


Despite our vast differences as international students, these choices are what tether us—what we can only do together. And when we forget that sense of community or feel overwhelmed amid change, rewatching International Students: First 48 Hours and International Students: Life After Graduation is a welcome reminder.

 

by Alaina Zhang ​for The 44 North, Newsletter & Reviews Editor


Rosamund Pike. Photo by Manuel Harlan.
Rosamund Pike. Photo by Manuel Harlan.
“We're all failing a generation of boys, and therefore we’re failing a whole generation of girls.”

Jessica is being fitted in her judge's robe for the first time. It’s supposed to be a glorious moment—a recognition of her success—but she feels more anxiety than pride. She watches her son Harry and her husband Michael look at her, then whisper something to each other. They laugh. She doesn’t know what they said. The room is full of mirrors, reflecting a harsh sun.


She wishes the whole process would quicken—numb the powerlessness. She’s worried this moment will tip the family balance; her husband didn’t get nominated as a judge…


A live theatre play written by Suzie Miller, which premiered globally in 2025, Inter Alia follows the journey of maverick London Crown Court Judge Jessica Parks as her son is suspected of rape. Mother, wife, judge—her life is a series of transitions between these different roles, until the rape case brings reality crashing down. These identities suddenly find themselves forced to pick sides. 


On one hand, the play is another story about teenage crime among others, such as Defending Jacob (2020) and Adolescence (2025). However, after seeing Inter Alia, I found myself thinking about what it means to live in a family where you’re the only woman. Jessica’s life is not an individual case, but one among many other women, wives, and mothers in the current age. Living as a wife who is always trying to protect her husband’s ego and a mother whose son is becoming more distant than ever, Jessica is in a constant loop of wondering if being “too successful” is the reason she finds herself alienated in her own family, and from the husband-son conversations she witnesses as a bystander. 


I was not fortunate enough to have seen this in person, but the charisma of live theatre was contagious even through the movie theatre screen. The Jessica Parks played by Rosamund Pike is so real in her struggle—her successful career is constantly overshadowed by the men around her, small violences that threaten to make her doubt herself and what she has achieved in an occupation also dominated by men. 


Recently, I attended a language exchange meetup where one of the topics was “Is it better to be married than to be single?” My mind drifted to Inter Alia. Yes, Jessica finds motherly fulfillment through her relationship with her son Harry, and romantic love in her husband Michael, but those familial relationships cannot be untangled from the legal fiasco which threatens to destroy her own independence and career. She begins to wonder if she failed as a mother. She finds herself becoming the lawyer she hates the most, defending a potential rapist against the words of an innocent young woman whose life might be ruined by sexual assault. 


As I heard the arguments for why being married was better, the one argument that was repeated over and over again was “You’ll be lonely if you’re single.” This was also spoken from a group of mostly women, citing their personal experiences, and something about it made me feel uncomfortable. 


Inter Alia, among other things, is a word commonly used in legal contexts to indicate that a particular assertion or claim is one of several possibilities. Marriage is only one lifestyle among others. Making loneliness the main argument and instilling a societal fear in women that not marrying is subjecting oneself to an unhappy life, is the very type of thinking that Inter Alia warns audiences against. I’d like to think that the play is not anti-marriage, anti-family, nor anti-children, but that it supports the many amazing, unique ways for a woman to live in the 21st century, not bound by phantom, patriarchal fears of solitude and misery. 

 

by Abbigale Kernya, ​for The 44 North

Managing Editor


The book cover of All My Puny Sorrows by Miriam Toews
The book cover of All My Puny Sorrows by Miriam Toews

Genre: Literary Fiction, Psychological Fiction, Canadian Lit


Recommended Age: 16+ readers

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Rating Scale:


Educational value: ​​ 4/5

Positive message: 2/5

Positive role models: 2/5

Violence: 5/5

Sex: 3/5

Language: 2/5

Drinking, drugs, smoking: 4/5

Consumerism:​ 1/5

“It was the first time that we had sort of articulated our major problem. She wanted to die and I wanted her to live and we were enemies who loved each other.” —Miriam Toews, All My Puny Sorrows

It’s been a really long time since I have had such a visceral reaction to a book. Around a month or so ago, a good friend of mine recommended Miriam Toews’ All My Puny Sorrows after realizing we shared the same love of books that hold the capacity to destroy their reader. 

 

Lately, I’ve been going through a lot of changes in my life—some good, some bad, all equally as frightening. Reading All My Puny Sorrows found me when everything felt so uncertain, and self-doubt continuously plagued my psyche in a never-ending spiral of change. The book follows two sisters, Elfreida and Yolandi, as Yolandi narrates their sheltered religious upbringing in relation to her elder sister’s rebellious grit and desire to find life outside of their community. 

 

I should stop my review now to warn readers that this book is not for the faint of heart and not for those looking for a happy time. 

 

Elfreida—in all her lust for life and worldwide success as a pianist—wants to die. In the simplest of ways, Yolandi’s sister doesn’t want to stay alive. Through the book’s narration of Yoli’s perspective, to watch the person she idolizes more than life itself rot in a hospital bed after a failed attempt and balance her role as a sister and friend to the shell of a human once resembling her sister all while dealing with two children and a divorce, All My Puny Sorrows tests the limitations of love; asking just how far will one go to honour those they love even if it kills them, even if it doesn’t.

 

Through motherhood, sisterhood, and childhood, how does one escape genetic sadness? What do you do when the one person on this planet you love more than anything wants to leave it? In a delicate analysis of human suffering, Toews bends the limits of humanity, exploring grief as a crash course in unaltering love and how far family can go to save each other. 

 

There was a moment that caught my breath when I first read it. When Elfreida lies in a hospital bed, she tells her sister there is a glass piano inside her, and she’s terrified it will break. I won’t get into my interpretation of this imagery, for that I invite you to pick up a copy and decide for yourself what it means.


I remember approaching the climax of this novel and leaving my house in search of a calmer place to finish. With tear-stained cheeks and a hollow hole in my chest, I closed this novel and sat in silence on the couch in my office. All My Puny Sorrows has left a stain on my soul—one that I cannot thank my friend enough for, and one I cannot recommend enough. 

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